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The Patchbay/Router
page allows you to connect each audio output to specific sources within
the Delta 1010. This page contains five columns named H/W Out ½,
H/W Out ¾, H/W Out 5/6, H/W Out 7/8, and H/W Out S/PDIF. Within
each of these columns you can route S/PDIF In, S/PDIF In (L/R Rev.), H/W
Ins 1-2, 3-4, 5-6 or 7/8. H/W Out ½ and H/W Out S/PDIF also include
Monitor Mixer Inputs. After using this once you will immediately understand
the flexibility of this page.
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The
audio recorded in and played back perfectly. I noticed no difference
between the CD and the playback from the computer.
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The Hardware Settings
page allows you to choose clock and sample settings. Here you will find
the Master Clock box where you can choose between Internal Xtal, S/PDIF
In or Word Clock. You will also choose the sampling frequency you would
like to record into your session with settings of 8,000, 9,600, 11,025,
12,000, 16,000, 22,050, 24,000, 32,000, 44,100, 48,000, 88,200, and 96,000kHz.
If you are using the S/PDIF inputs you can also choose between varying
rates as low as 8,000 kHz all the way up to 96,000 kHz.
A checkbox for MultiTrack Driver devices is on this page with settings
for single and In-Sync, Independent and Multiple Card sync. You also decide
your DMA buffer sizes on this page with Wave buffers between 8-28 milliseconds
and ASIO/EASI samples per buffer with rates from 336-2688. Experience
has taught me proper settings in this department will make a big difference
in the quality of your audio and general flow of your session.
The S/PDIF page of the Delta Control panel controls both the Digital Input
& Output formats. Output choices include Consumer, Professional and
Advanced settings. "Consumer" is a true S/PDIF format and is
recognized by all consumer devices. "Professional" is an AES/EBU
type data stream, but electrically S/PDIF. The "Advanced" setting
will allow you to force a few status bits in the outgoing S/PDIF signal.
The S/PDIF Signal can be either Coax (RCA) or Optical and is connected
into the host card--not the rack-mount unit.
Once you have installed Delta's hardware and software you can begin recording
into any digital audio recording software. All Delta 1010 analog and S/PDIF
inputs may be used simultaneously for a total of 10 input channels. Depending
on the software you are using (I was using Cakewalk Pro Audio 9) you will
see the ports appear with names such as "Left PCM In 1/2 Delta-1010",
or "Right S/PDIF In Delta 1010", etc. I should also mention
Delta ships ASIO drivers with the program if that is your software's requirement.
Macintosh sound manager inputs and outputs are also supported, however
Apple Sound Manager limits the user to one stereo input and output stereo
pair. MIDI drivers appear in a similar fashion-MIDI Omni 1, MIDI Channel
1-16,etc.
How Does It Sound?
For my first test of the audio quality of the unit I patched a CD player
through my Tascam TM-D1000 digital console. After tweaking the levels
with the Control Panel software I recorded a few tracks into Cakewalk.
The audio recorded in and played back perfectly. I noticed no difference
between the CD and the playback from the computer. Then I tried to max
out the capabilities of the Delta 1010 by recording on all 10 channels
of the unit. I connected analog channels 1-8 and the stereo S/PDIF output
from the mixing board into the appropriate inputs of the Delta 1010. Although
there was a hesitation of less than a second while the buffers loaded,
once Cakewalk began recording there were not any problems. These tests
were conducted using the +4dBu settings coming from my mixing console
into the Delta 1010. I wanted to also get an indication of the quality
of the -10dBV inputs. As recommended I turned everything off before plugging
anything into the Delta 1010. I plugged my CD player directly into the
Delta 1010 and tweaked the software for these new levels. Although the
dynamic range dropped approximately 3-5 dB, I still found the overall
quality to be quite satisfying. In fact it blew away the 16-bit Card D
Plus that was also installed in the machine. I particularly noticed a
much richer low-end comparable to a high-end analog tape machine.
The Delta 1010 24-bit 96kHz recording system is a high-end product, which
quickly and easily installs in any PC or Macintosh computer. In the 'wish
list' department I would have liked M Audio to add at least one preamp
to the unit and also a headphone output. With those two additions no external
mixing board would be needed. The fact the system provides eight high-quality
A/D and D/A converters (and one S/PDIF I/O) which are 24-bit and 96kHZ
capable at this price point is remarkable. I also appreciate the system
attempting to cover all driver bases with drivers for Windows MME, ASIO
and Sound Manager for the Mac. Recently several manufacturers have gone
back to the proprietary model of having their hardware only work with
their own software. M Audio has taken the high road here. I enjoyed the
painless installation and well-written manual. With a decent computer
and some recording software you can easily have a state-of-the-art 10
track recording system for under $1,000. If you are searching for a device
which provides 24/96 capability and works with just about any software
program, then you need to check out the Delta 1010 by M Audio.
In Part II of this article I will work with the optional Delta 1010-A1
ADAT interface add-on for the system. We will be recording a band live
to hard-disc to see how the system works in a real session. See you then!
Rob Albertson
is the owner of Rare Air Studios, Inc. in Atlanta, GA.
Contact: rareair@mindspring.com
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