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Features:
- TWIN MIC PREAMP
PATHS M-2b VACUUM TUBE & HV-3 SOLID STATE
- TWIN OPTO-COMPRESSOR
PATHS TCL VACUUM TUBE & DISCRETE SOLID STATE
- TWIN PARAMETRIC
EQUALIZER PATHS NSEQ TUBE & DISCRETE SOLID STATE
- TWIN DE-ESSER PATHS
VACUUM TUBE & DISCRETE SOLID STATE
- TWIN LINE LEVEL
PATHS (XLR in) TUBE & DISCRETE SOLID STATE GAIN
- TWIN INPUT COUPLING
WITH & WITHOUT "COLORFUL" AUDIO TRANSFORMER
- VACUUM TUBE INSTRUMENT
"DI" INPUT (1/4 high impedance) ROUTE VIA TUBE
& S/S GAIN
- EFFORTLESS, LIFELIKE
MUSICAL PERFORMANCE AT ALL DYNAMIC LEVELS
- CONSTRUCTED FOR
LIFE, COSMETICALLY APPEALING
- HIGH VOLTAGE, CLASS-A,
DISCRETE MINIMALIST DESIGN
- GOLD CONNECTORS,
SWITCHES, TUBE SOCKETS, AND RELAYS
- SILVER / TEFLON
POWER WIRING, NEGLEX OXYGEN-FREE AUDIO WIRING
Announcing the STT-1
(straight-to-tape) ORIGIN with Twin Topology (TM) Millennia's innovative
new merging of pure Class-A vacuum tube and pure Class-A solid state circuit
topologies.
ORIGIN has been
called the Mambo Combo* of all-in-one recording channels and could very
quickly become among the only front-end analog paths you'll ever need.
With well over 130 different product combinations in one 2U rack chassis,
and the associated range of sonic possibilities, the STT-1 is designed
for the producer/engineer/musician who doesn't have large blocks of time
to spend patching and repatching racks of analog front-end gear trying
to achieve "that sound." Now, in one chassis, it's possible
to easily and quickly patch Class-A vacuum tube equipment with discrete
solid state Class-A equipment, transformer-coupling and non-transformer
coupling, various inputs and outputs; it's -all- here in one compact chassis.
The STT-1 vastly expands the range of every artist's sonic pallette at
a price/performance level previously unknown in professional audio.
For example,
select the transformerless M-2 vacuum tube mic preamp feeding the NSEQ
discrete solid state parametric EQ. Or select the transformerless solid
state line level input feeding the vacuum tube gain amplifier, routed
into the vacuum tube TCL compressor and vacuum tube NSEQ parametric EQ.
Or plug an electronic instrument (guitar, bass, etc..) into the vacuum
tube DI input and feed this to the solid state gain amplifier, and compress
it with the TCL solid state opto-compressor. Or use the acclaimed HV-3
solid state mic amplifier, the choice of top audio professionals worldwide,
routed via transformer- coupling to both the direct mic preamp output
and NSEQ solid state parametric EQ and solid state de-essing circuits.
Circuit topologies
include high voltage, pure Class-A biased, minimalist design employing
hand-selected, premium grade discrete componentry. The solid-state aspect
of ORIGIN'S Twin Topology consists of pure Class-A all discrete J-FET
amplifiers. Millennia also provides these J-FET amplifiers as the next
generation of plug-in compatible modules. ORIGIN'S vacuum tube circuits
employ 300+ volt, pure Class A, tested and grade-sorted triode vacuum
tubes.
To select the
vacuum tube mic preamp, line input gain stage, EQ, compressor/limiter,
or de-esser, simply press the appropriate front panel switch(es). To use
the solid- state mic preamp, line input gain stage, EQ, compressor/limiter,
or de-esser, press the switch(es) again. Twin Topology! To use the input
transformer, press the switch. For transformerless operation, press the
switch again. Perhaps we should call it Triple Topology. All topologies
are designed to deliver a musical optimization of their inherent character.
Twin Topology
products also sport new cosmetics. The ORIGIN offers unique illuminated
push-button switches, hand-machined aluminum knobs, extruded and radiused
3/8" thick face plate which is processed in an artistic 'platinum-crackle'
finish looking something like an aged spruce guitar top. There's even
a stylish "TT" logo deeply engraved into every panel. A standard
gloss black cosmetic finish is also available at standard cost.
The ORIGIN is
available with standard black cosmetics at a special introductory price
of $2,895. Act soon as this price will be increased.
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Parametric Equalizer Specifications
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| "Q"
RANGE |
Q
= 0.4 to 4.0 Fully Sweep Adjustable |
| MAXIMUM
OUTPUT LEVEL |
+
32 dBu (balanced) |
| MAXIMUM
INPUT LEVEL |
(EQ
FLAT) + 29 dBu |
| MAXIMUM
INPUT LEVEL |
(EQ
FULL BOOST) + 14 dBu |
| FREQUENCY
RESPONSE, +0 / -3 dB |
sub 2 Hz to beyond 300 kHz |
| FREQUENCY
RESPONSE, +0 / -.15 dB |
sub
5 Hz to beyond 80 kHz |
| MAXIMUM
EQ BOOST (21 step detented) |
+15 dB |
| MAXIMUM
EQ CUT (21 step detented) |
-15 dB |
| EQ
FREQUENCIES (four band) |
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| THD
+ NOISE, 20 Hz - 30 kHz, All bands switched in |
<
.009%, typ < .003 % (VT or SS) |
| SLEW
RATE, +27 dBu Out |
>
50 Volts per microsecond |
| HARDWIRE
E.Q. BYPASS SWITCH? |
Yes |
HARDWIRE
BYPASS SWITCHING
ON INDIVIDUAL EQ BANDS ? |
Yes
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TWIN
TOPOLOGY EQUALIZER
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Switch
In: Pure Class-A Discrete J-FETs
Switch Out: Pure Class-A Triode Tubes |
BACK
TO: INTRO Pg. 1, 2,
3; "The Rack"
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